nobody would know to tell that story: Margarida Mestre

She studied pedagogy, sound design and dance in Fórum-Dança, along with many workshops in the dance and performance field in Lisbon, Madrid and N.Y..

Did her Master in Performance Art – Mouvement Theatre.

Has been developing a research and practise around body and voice work from which some performance pieces have come out, like: "a Blues" and "por um TRIZ..."; “Burn”; "Três actos da tragédia da Mariquinhas"; "Thrillogy of the cut"; "Fuga em mim menor"; "materiais sonoros..."; “Tudo gira”, poetry for children; and four “Poetic Objects””, presented all around Portugal and two of them in Marseille, Cape Vert, London and New York.

As a performer worked with Madalena Victorino, Miguel Pereira, Vera Mantero, Jasmeen Godder (Judson Church, N.Y.) and Guillermo Gomez Peña, among others.

Studied voice with: Shelley Hirsch and Lynn Book (both in N.Y.), David Moss, Japp Blonk, Miriam di Palma, Valérie Marestin, Amélia Cunni, Nona Hendrix, Chris Mann, Michiko Hirayama and Phill Minton. Did intensive voice training at the Roy Hart International School with Kaya Anderson, Susanne Weins, Albino Bignamini and David Goldsworthy as well as with Jonathan Hart Makwaia and Rosemary Quinn.